Music in the Moment
by Project Muse, Levinson, Jerrold
fromBook collections on Project MUSE
What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues that basic un…
"What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues, basic under…
Tiré du site Internet de l'éditeur: "Deep Listening: A Composer's Sound Practice offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, meditators and anyone interested in how consciousness…
The Routledge companion to music cognition
This Companion addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how …
The Routledge companion to music cognition
This Companion addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how …
The Routledge companion to music cognition
"The first book on timbre (or, tone color), and one that covers both classical and popular music"--
Ecologies of Sonorous Difference -- Index, Icon, Grain -- Excess, Sublime, Lure -- Vibration and Vitality -- Aesthetics of Vibration -- Threshold. "The first book on timbre (or, tone color), and one that covers both classical and popular music"
"The first book on timbre (or, tone color), and one that covers both classical and popular music"-
"Visceral and immediate in its sonic properties, yet also considered sublime and ineffable, timbre finds itself caught up in metaphors: tone “colour”, “wet” acoustics, or in Schoenberg’s words, “the illusory stuff of our dreams.” This multi-disciplinary approach to timbre assess…
"The first book on timbre (or, tone color), and one that covers both classical and popular music"--