In Musical Theatre, Realism and Entertainment, Millie Taylor explores the ways in which musical theatre reaches out to and involves its audiences. Taylor investigates how pleasure is stimulated by vocal, musical and spectacular performances.
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Musicals at the margins: genre, boundaries, canons
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Type: Book
List of Figures -- Acknowledgements -- 1. Introduction: Genre Panic at the Margins / Julie Lobalzo Wright and Martha Shearer Generic boundaries -- 2. Danceploitation, Musical Disruption, and Synergy in Saturday Night Fever, Flashdance, and Breakin' / Jenny Oyallon-Koloski -- 3. …
Musicals at the margins: genre, boundaries, canons
0
Type: Book
"But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave…
Andrew Lloyd Webber dominated musical theater in the 1970s and 80s. His hit shows included Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera, and most recently, School of Rock. Now the composer takes stock of his achievements, the twists of fate and circumstance that…
Andrew Lloyd Webber dominated musical theater in the 1970s and 80s. His hit shows included Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera, and most recently, School of Rock. Now the composer takes stock of his achievements, the twists of fate and circumstance that…
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated i…
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated i…
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated i…
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated i…
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated i…
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated i…
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated i…
In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre-French Revolution performance p…