This collection of essays examines the diverse ways in which music and ideas about music have been disseminated in print and other media from the sixteenth century onward. Contributors look afresh at unfamiliar facets of the sixteenth-century book trade and the circulation of ma…
Amidst the cosmopolitan, fashion-obsessed concert life of later eighteenth-century London there existed a discrete counterculture borne of native musical culture.
During his short lifetime, Franz Schubert (1797-1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas. The essays and translated documents in Franz Schubert and His World examine his compositions…
Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and…
Choruses, ancient and modern
"Our analysis shall focus on the music of Polish composers of the baroque period, i.e. from the seventeenth and first half of the eighteenth century."--Page 45. "This book looks at the rich means of text interpretation in seventeenth and eighteenth century Polish music, a relat…
Early music: a very short introduction
This book examines the intersections between musical culture and a British project of reconstruction from the 1940s to the early 1960s, asking how gestures toward the past negotiated issues of recovery and renewal. In the wake of the Second World War, music became a privileged s…
Women & music: a history
"Joy H. Calico examines the cultural history of postwar Europe through the lens of the performance and reception of Arnold Schoenberg's A Survivor from Warsaw--a short but powerful work, she argues, capable of irritating every exposed nerve in postwar Europe. A twelve-tone piece…
Gertrude Stein and philosopher Alfred North Whitehead were unlikely friends who spent most of their mature lives in exile: Stein in France and Whitehead in the United States. Their friendship was based on a mutual admiration for the philosophical pragmatism of William James and …
By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged ""Papa Haydn,"" a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal unique within music hi…
Simple songs or airs, in which a male poetic voice either seduces or excoriates a female object, were an influential vocal genre of the French Baroque era. In this comprehensive and interdisciplinary study, Catherine Gordon-Seifert analyzes the style of airs, which was based on …