"In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy …
"In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy …
"In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy …
"In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy …
"The ambient Century reveals the drift in twentieth-century music. From composers to non-musicians. From strict rules to no rules. From the single note to the sample. From the expanding classical horizons of Mahler, Satie and Debussy to the revolutions in electronic music inaugu…
Source readings in music history
"Here is a comprehensive collection of writings on music, spanning the ages from ancient Greece to the close of the twentieth century. All seven sections boast introductory essays in which the period editors present new perspectives on the music of their separate eras. A headnot…
Postmodernity's musical pasts
Postmodernity's Musical Pasts considers music after 1945 as a representation of concepts such as "historicity" and "temporality". The volume understands postmodernity as a period in which both modernism and postmodernism co-exist. It is attracted to a wider interpretation of "hi…