Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. The text links each of the tasks that comprise a tonal theory curriculum, explicitly connecting written theory…
In Musical Form, Forms & Formenlehre : Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate t…
"There's a moment in Janis Joplin's rendition of "Piece of My Heart" that anyone who has heard the song even once will recall vividly. I'm referring of course to Joplin's explosive cry of "take it!" about a minute in, right at the beginning of the chorus. This moment seems to em…
Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of…
Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of…
Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division.
Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries…
