Offering a new perspective on two major authors, Minear explores Shakespeare's and Milton's fascination with the idea of language infiltrated by music and reproducing not so much the formal or sonic properties of music as its effects on minds and memories. She reveals that many …
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music - heard, imagined, or remembered - to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's …
Offering a new perspective on two major authors, Minear explores Shakespeare's and Milton's fascination with the idea of language infiltrated by music and reproducing not so much the formal or sonic properties of music as its effects on minds and memories. She reveals that many …
Offering a new perspective on two major authors, Minear explores Shakespeare's and Milton's fascination with the idea of language infiltrated by music and reproducing not so much the formal or sonic properties of music as its effects on minds and memories. She reveals that many …
This book explores the multitude of musical-literary allusions and themes that are intertwined throughout the works of J.R.R. Tolkien, including how his scholarly work with medieval poetry affected the creation, development, and characters in his mythology of Middle-earth --Prov…
"This book explores the multitude of musical-literary allusions and themes that are intertwined throughout the works of J.R.R. Tolkien, including how his scholarly work with medieval poetry affected the creation, development, and characters in his mythology of Middle-earth"--Pro…
"Orphic Bend: Music and Innovative Poetics explores the impact of music on recent pioneering literary practices in the United States. Adopting the myth of Orpheus as its framework, Robert L. Zamsky argues that works by Charles Bernstein, Robert Creeley, John Taggart, Tracie Morr…
"Orphic Bend: Music and Innovative Poetics explores the impact of music on recent pioneering literary practices in the United States. Adopting the myth of Orpheus as its framework, Robert L. Zamsky argues that works by Charles Bernstein, Robert Creeley, John Taggart, Tracie Morr…
"What is the body when it performs music? And what, conversely, is music as it reverberates through or pours out of a performing body? Tekla Bude starts from a simple premise-that music requires a body to perform it-to rethink the relationship between music, matter, and the body…
"What is the body when it performs music? And what, conversely, is music as it reverberates through or pours out of a performing body? Tekla Bude starts from a simple premise-that music requires a body to perform it-to rethink the relationship between music, matter, and the body…
Tekla Bude starts from a simple premise--that music requires a body to perform it--to rethink the relationship between music, matter, and the body in the late medieval period. Sonic Bodies argues that writers thought of ""music"" and ""the body"" as mutually dependent and histor…
Milton, Music and Literary Interpretation: Reading through the Spirit constructs a musical methodology for interpreting literary text drawn out of John Milton's poetry and prose. Analyzing the linkage between music and the Holy Spirit in Milton's work, it focuses on harmony and …