"Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspe…
La 4e de couv. indique : "This book draws on over twenty years' investigation of scientific archives in Europe, Australia, and other former British settler colonies. It explains how and why skulls and other bodily structures of Indigenous Australians became the focus of scientif…
"Dioramas are devices on the frontier of various disciplines. Their use developed during the nineteenth century, following reforms aimed at developing the educational dimension of museums. This book examines the anthropological dioramas of two North American museums in the early…
Curatopia: museums and the future of curatorship
What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the cu…
"Durante la conferencia internacional 'Objetos como testigos del contacto cultural. Perspectivas interculturales de la historia y del presente de las poblaciones indígenas del Alto Río Negro (Brasil/Colombia)', que se realizó del 31 de julio al 2 de agosto de 2014 en el Ethnolog…
"The museum has become a vital strategic space for negotiating ownership of and access to knowledges produced in local settings. Museum as Process presents community-engaged "culture work" of a group of scholars whose collaborative projects consider the social spaces between the…
"In September 2009, twenty-one members of the Haida Nation came to Oxford and London to work with several hundred heritage treasures at the Pitt Rivers Museum and the British Museum. The encounter set a new course for the relationships between the custodians of these cultural ar…
"We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled…
Across the global networks of heritage sites, museums, and galleries, the importance of communities to the interpretation and conservation of heritage is increasingly being recognised. Yet the very term "meaningful community engagement" betrays a myriad of contrary approaches an…
How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised?elsewhere? and?otherwise?. They do so by unfolding ethnographic case studies from Belgium, Fra…
The anthropologist as curator
"Why do contemporary art curators define their work as ethnography? How can curation illuminate the practice of contemporary anthropology? Does anthropology risk disappearing as a specific discipline within the general model of the curatorial? The Anthropologist as Curator colle…
"In this book, Inge Daniels explores what might happen if people and objects were freed from the regulations currently associated with going to an exhibition. Traditional understanding of exhibitions place he viewers in a one-way communication form, where he exhibition and those…