With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. Chanc…
With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. Chanc…
Annotation
V.1. The mythic world of Juno, Jupiter's consort, is one of flesh and begetting, of suffering and death, and of poetry itself. Exploring the relationship between that realm of the classical gods and the sphere of medieval mythographers, Jane Chance illuminates the efforts of med…
With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. Chanc…
Jane Chance focuses on the advent of hybrid mythography in the Middle Ages as a form of commentary in vernacular poetry and, alternatively, as restyled and reformatted Latin prose commentary that reflects allegorical authorial self-projection. The complexity of mythography leads…
Shakespeare and the Gods examines Shakespeare's many allusions to six classical gods (Jupiter, Diana, Venus, Mars, Hercules and Ceres) that enhance his readers' and audiences' understanding and enjoyment of his work. Vaughan explains their historical context, from their origins …
Shakespeare and the Gods examines Shakespeare's many allusions to six classical gods (Jupiter, Diana, Venus, Mars, Hercules and Ceres) that enhance his readers' and audiences' understanding and enjoyment of his work. Vaughan explains their historical context, from their origins …
''I am particularly impressed with Bloombergs insights about the ways in which women writers urge to harness the power of womens myths has to some extent been aroused by historical forces. ... She explains that womens desire to reinvent their identities requires that women write…
The origin for this collection of essays was three research seminars held under a single title, 'Classics and Robert Graves: a relationship in literature, translation and adaptation."
