As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and…
"As a major member of the New York School, Barnet Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and…
"As a major member of the New York School, Barnet Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and…
"Frameworks for Modern Art provides a general introduction to the art of the twentieth century. The opening chapter discusses key concepts such as modernity, modernism, autonomy, spectatorship and globalisation. It is followed by four case studies, each of which is devoted to a …
American Artists on Art: from 1940 to 1980
by Kaprow, Allan, Cage, John, Wright, William, Anderson, Laurie, Pollock, Jackson, Gottlieb, Adolph, Newman, Barnett, De Kooning, Willem, Kline, Franz, Motherwell, Robert, Reinhardt, Ad, Smith, David, Nevelson, Louise, Noland, Kenneth, Olitski, Jules, Nemser, Cindy, Oldenburg, Claes, Lichtenstein, Roy, Judd, Donald, LeWitt, Sol, Bochner, Mel, Kosuth, Joseph, Irwin, Robert, Chase, Linda, Christo, Serra, Richard, Aycock, Alice, Burden, Chris, Johnson, Ellen
A través de un recorrido por el arte del siglo XX, el autor sostiene que el arte ha sido reemplazado por el "postarte", nueva categoría visual que antepone lo banal a lo enigmático, lo escatológico a lo sagrado, el ingenio a la creatividad. Rastreando la desaparición de la exper…
"In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by "postart," a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverne…
