An updated history of classical philology had long been a desideratum of scholars of the ancient world. The volume edited by Diego Lanza and Gherardo Ugolini is structured in three parts. In the first one ("Towards a science of antiquity") the approach of Anglo-Saxon philology (…
This book offers intimate readings of a diverse range of global autobiographical literature with an emphasis on the (re)presentation of the physical body. The twelve texts presented here include philosophical autobiography (Nietzsche), autobiographies of self-experimentation (Ga…
The essays that Jill Stauffer and Bettina Bergo collect in this volume locate multiple affinities between the philosophies of Nietzsche and Levinas. Both philosophers question the nature of subjectivity and the meaning of responsibility after the "death of God." While Nietzsche …
"This important new book explores the ethical theory of Friedrich Nietzsche in light of recent work done in the philosophy of mind." "Craig Dove examines issues of free will, communication, the way in which we construct the self, and the implications of all these for ethics. Aft…
The Use and Abuse of Art
by Project Muse, Barzun, Jacques Martin
fromBook collections on Project MUSE
The lecturer traces the historical development of attitudes toward the arts over the past 150 years, suggesting that the present is a period of cultural liquidation, nothing less than the ending of the modern age that began with the Renaissance.
This volume is devoted to the person and work of Leszek Kolakowski, who died in July 2009. At the turn of the 1940s and 1950s, Leszek Kolakowski belonged to a group of young intellectuals actively supporting on the ideological front and in the University of Warsaw the new politi…
Richard Tempest examines Aleksandr Solzhenitsyn's evolution as a literary artist from his early autobiographical novel Love the Revolution to the experimental mega-saga The Red Wheel, and beyond. Tempest shows how this author gives his characters a presence so textured that we c…
Photography and Its Shadow argues that the invention of photography marked a rupture in our relation to the world and what we see in it. The dominant theoretical and artistic paradigm for understanding the invention has been the tracing of shadows. But what photography really in…