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D. H. Lawrence once wrote that 'we have no language for the feelings'. The remark testifies to the struggle in his novels to express his sophisticated understanding of the nature of being through the intransigent medium of language. Michael Bell argues that Lawrence's unfashiona…
D.H. Lawrence once wrote that 'we have no language for the feelings'. The remark testifies to the struggle in his novels to express his sophisticated understanding of the nature of being through the intransigent medium of language. Michael Bell argues that Lawrence's unfashionab…
D.H. Lawrence once wrote that 'we have no language for the feelings'. The remark testifies to the struggle in his novels to express his sophisticated understanding of the nature of being through the intransigent medium of language. Michael Bell argues that Lawrence's unfashionab…
Through a wide-ranging discussion, that extends from Ovid and Leonardo da Vinci to Gerhard Richter, and from philosophy and literature to time-based art, Kaja Silverman shows that the master myth of Western subjectivity is the story of Orpheus and Eurydice, not that of Oedipus, …
"What is a woman? What is a man? How do they - and how should they - relate to each other? Does our yearning for "wholeness" refer to something real, and if there is a Whole, what is it, and why do we feel so estranged from it? For centuries now, art and literature have increasi…
Although there is a huge literature on Nietzsche's philosophy, this is the first study in English that focuses on his ontology. Before proceeding to that ontology, Addis argues that, contrary to many commentators, Nietzsche defends both the possibility and the desirability of ob…
Although there is a huge literature on Nietzsche's philosophy, this is the first study in English that focuses on his ontology. Before proceeding to that ontology, Addis argues that, contrary to many commentators, Nietzsche defends both the possibility and the desirability of ob…
