"What are the arresting, striking, and decisive moments in opera performances? Why do we respond so strongly to Regietheater stagings that transform familiar scenes, to performers' bodily presence, and to virtuosic voices that go beyond what seems humanly possible, but also to m…
"With "Don Giovanni" Captured, Richard Will takes on the challenge of considering a single opera through engagement with its entire history of recorded performance, encompassing both audio recordings (starting with wax cylinders and 78s) and video recordings, from DVDs, to films…
"With "Don Giovanni" Captured, Richard Will takes on the challenge of considering a single opera through engagement with its entire history of recorded performance, encompassing both audio recordings (starting with wax cylinders and 78s) and video recordings, from DVDs, to films…
Part I. Clouds of feeling: excerpt audio recordings. Imagining excerpts; Rhetorics of seduction; Demons and dandies; All too human -- Part II. Invented works : complete audio records. The visual stage; Cruel laughter; Dancing in time -- Part III. Partial visions : video recordin…
"With "Don Giovanni" Captured, Richard Will takes on the challenge of considering a single opera through engagement with its entire history of recorded performance, encompassing both audio recordings (starting with wax cylinders and 78s) and video recordings, from DVDs, to films…
"With "Don Giovanni" Captured, Richard Will takes on the challenge of considering a single opera through engagement with its entire history of recorded performance, encompassing both audio recordings (starting with wax cylinders and 78s) and video recordings, from DVDs, to films…
"Book describes the world premiere of the American opera based on Melville's novel Moby-Dick, with the same name. Wallace describes the creative process of writing the music and libretto, the rehearsals and stage design, and the opening night in Dallas in May 2010"--ECIP Data Vi…
"Book describes the world premiere of the American opera based on Melville's novel Moby-Dick, with the same name. Wallace describes the creative process of writing the music and libretto, the rehearsals and stage design, and the opening night in Dallas in May 2010."--ECIP Data V…
"Book describes the world premiere of the American opera based on Melville's novel Moby-Dick, with the same name. Wallace describes the creative process of writing the music and libretto, the rehearsals and stage design, and the opening night in Dallas in May 2010."--ECIP Data V…
"Book describes the world premiere of the American opera based on Melville's novel Moby-Dick, with the same name. Wallace describes the creative process of writing the music and libretto, the rehearsals and stage design, and the opening night in Dallas in May 2010"--ECIP Data Vi…
"Book describes the world premiere of the American opera based on Melville's novel Moby-Dick, with the same name. Wallace describes the creative process of writing the music and libretto, the rehearsals and stage design, and the opening night in Dallas in May 2010"--ECIP Data Vi…
"Book describes the world premiere of the American opera based on Melville's novel Moby-Dick, with the same name. Wallace describes the creative process of writing the music and libretto, the rehearsals and stage design, and the opening night in Dallas in May 2010"--ECIP Data Vi…
This book describes the world premiere of the American opera based on Melville's novel Moby-Dick. The author describes the creative process of writing the music and libretto, the rehearsals and stage design, and the opening night in Dallas in May 2010. -- ECIP Data View, Summary.
"For decades now, radical stage directors have repeatedly dressed canonical operas--from Handel and Mozart to Wagner and Puccini and beyond--in whips, chains, leather, and other regalia of SM and fetishism. Deviant Opera seeks to understanding this phenomenon, approaching the vi…
"For decades now, radical stage directors have repeatedly dressed canonical operas--from Handel and Mozart to Wagner and Puccini and beyond--in whips, chains, leather, and other regalia of SM and fetishism. Deviant Opera seeks to understanding this phenomenon, approaching the vi…
"For decades now, radical stage directors have repeatedly dressed canonical operas--from Handel and Mozart to Wagner and Puccini and beyond--in whips, chains, leather, and other regalia of SM and fetishism. Deviant Opera seeks to understanding this phenomenon, approaching the vi…
