Americans have always shown a fascination with the people, customs, and legends of the "East"--Witness the popularity of the stories of the Arabian Nights, the performances of Arab belly dancers and acrobats, the feats of turban-wearing vaudeville magicians, and even the antics …
"Over the course of 150 years, until the Great Depression, generations of native- and foreign-born actors took on lavish North African, Middle Eastern, or Indian costumes, accents, and names. At circuses, theaters. fairs, and street parades and in printed materials, they "played…
Americans have always shown a fascination with the people, customs, and legends of the "East"--Witness the popularity of the stories of the Arabian Nights, the performances of Arab belly dancers and acrobats, the feats of turban-wearing vaudeville magicians, and even the antics …
National Abjection' explores the vexed relationship between 'Asian Americanness' and 'Americanness' - through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in US culture are a function of national abjection.
Explores the ways that playwrights and performers have dealt with the presentation of the Asian American body on stage, given the historical construction of Asian Americanness as abject and unpresentable.
Explores the ways that playwrights and performers have dealt with the presentation of the Asian American body on stage, given the historical construction of Asian Americanness as abject and unpresentable.