From Word to Canvas: Appropriations of Myth in Women's Aesthetic Production is an innovative collection of essays on female aesthetic production and myth, examining the ways in which women artists and writers utilize myth to negotiate their perceptions of feminine identity and f…
Popular performance
'Popular Performance' defines and surveys varieties of performance where the main purpose is to entertain, and where there is no shame in being trivial, frivolous or nonsensical as long as people go home happy at the end of the show. Contributions by new and established scholars…
Can a subject be sovereign in a hegemony? Can creativity be reined in by forces of empire? Studying closely the oral narrations and writings of four Indian authors in colonial India, The Audacious Raconteur argues that even the most hegemonic circumstances cannot suppress "audac…
"In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from …
"At the age of 9, Romesh Ranganathan delivered his first ever stand-up set at a Pontin's Holiday Camp talent competition, smashing the only other competitor, a young girl playing the kazoo. The gig went so well that Romesh retired his comic genius for twenty two years, hiding be…
"Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes …
Performative Inter-Actions in African Theatre
Performance in the Borderlands critically examines a range of cultural performances produced in relation to the tensions and movements of/about the border. Comprised of thirteen essays and a transcribed conversation involving the majority of this collection's contributors, this …