"26" Result
Sort By:
Albrecht Dürer est le troisième enfant d'Albrecht Dürer l'Ancien, orfèvre originaire de Hongrie et arrivé à Nüremberg en 1455. En 1486, il entre dans l'atelier de Michael Wolgemut et en devient l'apprenti. Après avoir effectué son tour de compagnon à travers la France et l'Allem…
Albrecht Dürer's (1471-1528) work stands out as one of the most innovative of the Northern Renaissance, revolutionising landscape and portraiture techniques in both religious and secular painting. This book offers a wide selection of Dürer's works, and its compact format makes i…
Albrecht Dürer's (1471-1528) work stands out as one of the most innovative of the Northern Renaissance, revolutionising landscape and portraiture techniques in both religious and secular painting. This book offers a wide selection of Dürer's works, and its compact format makes i…
"Nineteenth-century German art, eclectic in its expression, was strongly influenced by the political, social, and economic forces of an intellectually fertile age. The ninety-six paintings and fifty-four drawings included in this catalogue focus on the five major German artistic…
Holbein was a hugely ambitious artist, and even during his formative years in Lucerne and Basle undertook to make designs for jewelry, stained glass and woodcuts as well as to paint major altarpieces and portraits. He also carried out several monumental decorative schemes for pr…
Holbein was a hugely ambitious artist, and even during his formative years in Lucerne and Basle undertook to make designs for jewelry, stained glass and woodcuts as well as to paint major altarpieces and portraits. He also carried out several monumental decorative schemes for pr…
This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German roma…
This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German roma…
