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In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically…
In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically…
In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically…
Open Secrets identifies an ethos of affirmative reticence and recessive action in Mme de Lafayette's La Princesse de Clèves (1678), Jane Austen's Mansfield Park (1814), and poems by William Wordsworth, Emily Dickinson, and Thomas Hardy. The author argues that these works locate …
The unique intermediary position of Martin Heidegger's Being and Time (1927) between ontology, transcendental philosophy, phenomenology, existential analysis, and hermeneutics along with the controversial history of its interpretation make an introductory commentary essential. F…
Institution in personal and public history. Introduction -- Institution and life -- Institution of a feeling -- The institution of a work of art -- Institution of a domain of knowledge -- The field of culture -- Historical institution: particularity and universality -- Summary f…