Jan van Eyck's Arnolfini portrait and copies after his Woman and her toilette : recollections of the Alhambra's constellation halls, the hamman, and alchemy / Barbara von Barghahn -- Not just copies but variations, suggestions, interpretations and critical reception : Joos van C…
Making Copies in European Art 1400-1600, edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice o…
Jan van Eyck's Arnolfini portrait and copies after his Woman and her toilette : recollections of the Alhambra's constellation halls, the hamman, and alchemy / Barbara von Barghahn -- Not just copies but variations, suggestions, interpretations and critical reception : Joos van C…
Making Copies in European Art 1400-1600, edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice o…
Making Copies in European Art 1400-1600, edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice o…
Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe' gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in…
No one can look at the paintings of Hieronymus Bosch without amazement and bewilderment. Professor Gibson shows that what seems inexplicable to us today; the canvases full of torture, monsters, and leering devils was perfectly intelligible to the fifteenth-century viewer. The su…
"After the Counter-Reformation, the Papal State of Bologna became a hub for the flourishing of female artistic talent. The eighteenth-century biographer Luigi Crespi recorded twenty-three women artists working in the city, although many of these, until recently, were lost and ig…
Mantegna & bellini: a renaissance family