"Investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and thei…
What is it about art that can be so captivating? How is it that we find value in the often odd and abstract objects and events we call artworks? William P. Seeley proposes that artworks are attentional engines. They are artifacts that have been intentionally designed to direct a…
This title explores the potential of the growing field of cognitive sciences and aesthetics. Along the way it introduces readers to the philosophy of art and evaluates what psychology and neuroscience can and cannot tell us about the nature and value of artworks. Seeley utilizes…
"The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges th…
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths--Jacket.
Originally published in 1981, this volume represents the edited proceedings of the third symposium on eye movements and behaviour sponsored by the US Army Human Engineering Laboratory. The conference, titled "The Last Whole Earth Eye Movement Conference" was held in Florida in F…
Une méthode de représentation des idées sur papier : une image centrale, des mot-clés et des codes. Une technique pour structurer sa pensée qui remplace la prise de notes.
