This is an account of the power relations that sustain and make possible photographic meanings, with special attention to photographs of Palestinian noncitizens of Israel and women in Western societies. "Azoulay argues that photography is a particular set of relations between i…
What do we 'see' when we think of Italy? How is our sense of that country, its people and culture formed, what conditions it? Looters, Photographers, and Thieves suggests that our visualization and relationship to a place like Italy is the result of a long and complex series of …
Murphy provides expert advice on becoming a successful wedding photographer. A hands-on guide to selecting the right equipment, developing the skills and techniques need to create stunning images, and getting your name out to potential clients --
Within the larger context of cultural memory, family pictures have become one of the most intriguing multi- and interdisciplinary fields of investigation in the past decade. This field brings together artists working in different media (e.g. documentary photography and film, pho…
"Addressing the visual landscape that emerged in the postmodern world, David Bate introduces a new approach to the analysis of photographs and their place within the aftermath of postmodernist thinking. This book shows how photographs circulate in an 'image-world' that exists be…
"Addressing the visual landscape that emerged in the postmodern world, David Bate introduces a new approach to the analysis of photographs and their place within the aftermath of postmodernist thinking. This book shows how photographs circulate in an 'image-world' that exists be…
In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outline…
"In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlin…
In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made …
"In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone West Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographe…
In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographer…
"In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone West Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographe…
Tina M. Campt explores a way of listening to photography by engaging with lost archives of state identification photographs of Afro-diasporan people taken between the late 1800s and the present, showing how to hear the quiet refusal emanating from these photos originally intende…
The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them …
