Tim Hetherington (1970-2011), one of the world's most distinguished and dedicated contemporary photojournalists, was killed while covering the Libyan Civil War. This book is a compelling portrait of Hetherington's life and career, exploring the risks, challenges, and thrills of …
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"Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich a…
Group -- f Mary Alinder is uniquely positioned to write this first group biography. A former assistant to Ansel Adams, she knew most of the artists featured. Just as importantly, she understands the art. Featuring fifty photographs by and of its members, Group f.64 details a tra…
"Picturing the Woman-Child examines the representation of women as childlike in western fashion media, and asks why this figure continues to hold appeal to women"--
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to placemaking, colonial settlement, and identity formation. Collectively, the book's authors map a constellation of interlocking photographic histories and survey practices, decenteri…
This is the first monograph exploring how, throughout its history, sculpture has provided a model to conceptualize photography as an art of mechanical reproduction. While there is a growing body of work examining how photography has contributed to the development of a Western 's…
This is the first monograph exploring how, throughout its history, sculpture has provided a model to conceptualize photography as an art of mechanical reproduction. While there is a growing body of work examining how photography has contributed to the development of a Western 's…
Foreword -- Introduction: Foundations of Filming -- Camera as a Way to be Seen -- Camera as Exposer -- Camera as Shamer -- Camera as Mirror -- Camera as Shield -- Camera as Martyr -- Camera as Evidence -- Camera as Weapon -- Endnotes -- Sources -- List of Illustrations -- Acknow…
"Drawing on unprecedented access to the video archives of B'Tselem, an Israeli NGO that distributes cameras to Palestinians living in the West Bank, East Jerusalem, and the Gaza Strip, Liat Berdugo lays out an argument for a visual studies approach to videographic evidence in Is…
"Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including…
"This book examines the role of photography as a powerful language of expressing collective identities in Eastern Europe during the period of dramatic socio-political transformation associated with the slow rise of national and ethnic consciousness, the dawn of empire and the ou…
With their power to create a sense of proximity and empathy, photographs have long been a crucial means of exchanging ideas between peoples across the globe; this book explores the role of photography in shaping ideas about race and difference from the 1840s to the 1948 Declarat…
The Crimean peninsula in the Black Sea, rich in history and charm, is of great geostrategic importance. This leads to political conflicts time and again. But what is everyday life like in Crimea beyond the discourses about law, borders and war? What do local intellectuals think …
Black Matrilineage, Photography, and Representation: Another Way of Knowing' questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. This volume, whi…
"No one thinks straight. At least no one remembers straight. But ten years ago, things were different, weren't they? Roland Barthes once wrote that color in a photograph is like make-up on a corpse. No one is fooled. In anarchic denial of convenient truths, a young international…
In the 1960s, between the construction of the Berlin Wall (1961) and the change of power (Ulbricht / Honecker 1971), a field of tension between the claim to power and truth of the SED on one side and the subjective obstinacy of the works of art and their creators on the other ha…
Davor Konjikušić provides an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. In doing so, the author is not only interested in presenting the photographs from an aesthetic perspective, but in the history of thei…
Ubiquity: Photography's Multitudes
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Type: Book
From its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media. Whether looking…