"Dynastic Commemoration and Imperial Portraiture in the Julio-Claudian Period examines the production of Julio-Claudian dynastic imagery from ca. 31 B.C. to 68 A.D., charting the varying perceptions of the first Imperial family in both Rome and the provinces. During this time, R…
"Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, vene…
"Statues were everywhere in the Roman world. They served as objects of cult, honors to emperors and noblemen, and memorials to the dead. Combining close attention to individual Roman texts and images with an unprecedented broad perspective on this remarkable phenomenon, Statues …
Statues were everywhere in the Roman world. They served as objects of cult, honours to emperors and noblemen, and memorials to the dead. Combining close attention to individual Roman texts and images with an unprecedented broad perspective on this remarkable phenomenon, Statues …
By the end of the seventeenth century, the City of London was already by far the most important centre of trade and finance in the world. This financial and commercial supremacy was reflected in some of the most impressive architecture and public sculpture of the last 300 years.…
As the financial capital of the British Empire, the City commissioned imposing statues of those who had made it what it was. More surprising is the wealth of architectural sculpture, including the friezes of the Institute of Chartered Accountants, the most important of the 'New …
"Faces in Medieval sculpture are explorations of human identity, marked not only by evolving nuances of style but also by the ongoing drama of European history. Created from materials as diverse as marble, limestone, polychromed wood, and silver gilt, the eighty-one sculpted hea…
The face in medieval sculpture was an exploration in human identity, marked not only by evolving nuances of style but also by the ongoing drama of European history. The 81 magnificent sculpted heads featured in this volume provide a sweeping view of the Middle Ages, from the wan…
