This is a book about classical sculptures in the early modern period, centuries after the decline and fall of Rome, when they began to be excavated, restored, and collected by British visitors in Italy in the second half of the eighteenth century. Viccy Coltman contrasts the pre…
"Statues of important Romans frequently represented them nude. Men were portrayed naked holding weapons - the naked emperor might wield the thunderbolt of Jupiter - while Roman women assumed the guise of the nude love-goddess, Venus. When faced with these strange images, modern …
"Statues of important Romans frequently represented them nude. Men were portrayed naked holding weapons - the naked emperor might wield the thunderbolt of Jupiter - while Roman women assumed the guise of the nude love-goddess, Venus. When faced with these strange images, modern …
Groundbreaking study of gestational imagery on ancient Olmec monuments and objects brings to light Mesoamerica's earliest creation narrative and traces its evolution into one of the enduring themes of Mesoamerican ritual life and art.
"This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church"-- "In the Catharijneconvent Museum in Utrecht there hangs a panel painting whose diminutive siz…
In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key but often neglected aspect of neoclassical sculpture: color. Considering three major works-Hiram Powers's Greek Slave, William Wetmore Story's Cleopatra, and Edmonia Lewis's Death of Cleopatra-she explores the…
Artworks are seen here as presenting themselves as a means by which to navigate and plot the city for a writing interlocutor; The examples discussed reveat a plethora of emergent forms which are concentrated into three key modalities of urban arts practice in the twenty-first ce…
