The audio-visual character of television was used as the conceptual focus of this examination of television news broadcasting. The research comprised both a macro and micro level analysis. On the macro level, a study was undertaken to examine the influences of the cultural conte…
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Acting for television has hitherto been a much-neglected field; by focusing solely on screen performance, usually via textual analysis, the small amount of work thus far conducted has largely ignored the various conditioning factors that combine to shape it. This thesis is desig…
Using data from the 2008 Formula One motor racing World Championship, this thesis theorises live, televised sports events as discursively constructed "spectacles". The two key aims of the study are; (1) to contribute to our understanding of the organising principles and broadcas…
This thesis analyses the media coverage and dominant institution responses to the media and protest tactics employed by three different protest groups. The three case studies examine the interactions between protest groups, their political targets, and the mainstream media. It p…
This thesis examines the impact of writers, producers and directors on programmingand production in several periods of US television drama history. I address the roleauthorship plays in shaping US television drama aesthetics and how creativity functionswithin its production cult…
This thesis is written to promote and pursue an understanding of lesbian fandom and its function on the Internet. It will demonstrate how a particular television text Xena: Warrior Princess (X: WP) and a dedicated online fandom „xenasubtexttalk‟ (XSTT) of diverse lesbian fan mem…
This thesis examines the kinds of stories about teenage sexual violence that are enabled (or not) by US and British teen television drama series between 1990 and 2008. This genre is centrally concerned with issues of sexuality and, in particular, sexual vulnerability as teenage …
In recent years television has seen a notable increase in evocative images of the human body subject to exploration and manipulation.Taking the increasing viscerality of television’s body images as a starting point, the work presented in this thesis asserts the importance of con…
Representations of gay, lesbian, queer and other non-heterosexualities on British terrestrial television have increased exponentially since the mid 1990s. Lesbian, gay, bisexual, transgender and queer characters now routinely populate mainstream series, while programmes like Que…
This thesis, ‘Broadcasting Modernity’ is an account of sound technology, namely wireless, as a feature of early twentieth century literature. If modernism is a historical-specific movement, and language a repository of time, then the advent of radio broadcasting cannot be ignore…
The thesis is a qualitative account of the much neglected issues of the bottom-up, and interconnected organization of the Cross-Industry Network (CIN) phenomena within the Audiovisual Sector (AVS). The aims are achieved by exploring the why and how of the independent screen cont…
This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television's most durable …
This study looks at the dominant discourses in the news and documentary coverage of the British military in the occupation of Iraq. It is in these discourses that the justification for the war and occupation rests and in this justification lies the interpretation of the function…
This thesis is an examination of how British television news reported on the Peace Accords signed between Israeli and Palestinian negotiators at the Wye River Plantation, Maryland USA in October 1998. The research involves three elements. Firstly a review of the historiography o…
This thesis investigates the relationship between media and identities in contemporary Greece. Acknowledging the diversity of Greek society, the study follows the circulation of discourses about the nation and belonging and contrasts the articulation of identities at a local lev…
This thesis addresses the interface between producers of new media and their audiences/users as it manifests itself in production. It is based on a case study of NESTA Futurelab (a production-research laboratory in educational new media) conducted in its first year of existence,…
The starting point of this thesis is that British television coverage of the developing world is increasingly limited, both in terms of quantity and the lack of background information. There tends to be very little coverage of developing countries, and what there is doesn't expl…
THE TELEVISION MESSAGE AS SOCIAL OBJECT: A comparative study of the structure and content of television programmes in Britain (excluding public affairs, children's television and shorts). The thesis will be both a theoretical and empirical examination of the applicability of the…