Politique des auteurs (Cinéma)

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Authorship in film has been a persistent theme in the field of cinema studies. This volume of new work revitalizes the question of authorship by connecting it to larger issues of identity -- in film, in the marketplace, in society, in culture. Essays range from the auteur theory…

Authorship in film has been a persistent theme in the field of cinema studies. This volume of new work revitalizes the question of authorship by connecting it to larger issues of identity -- in film, in the marketplace, in society, in culture. Essays range from the auteur theory…

First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as…

"First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and a…

First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approa…

First published in 1969, 'Signs and Meaning in the Cinema' helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. This new edition explores the way in which a new approach to the cinema can be combined with a new approach…

"Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos's notoriously complex cinematic language has long explored Greece's contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed …