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As themes in film studies literature, work and the working class have long occupied a peripheral place in the evaluation of Canadian cinema, often set aside in the critical literature for the sake of a unifying narrative that assumes a division between Québécois and English Cana…
"Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Though sometimes defined visually, there is more to film noir than meets the eye. This interdisciplinary examination argues for the central importanc…
"Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Though sometimes defined visually, there is more to film noir than meets the eye. This interdisciplinary examination argues for the central importanc…
Coltan mines in the Congo; electronics factories in China; devastated neighbourhoods in Detroit. Cyber-Proletariat shows us the dark-side of the information revolution; an unsparing analysis of class power and computerisation. Nick Dyer-Witheford reveals how technology facilitat…
