A guide for understanding popular reading tastes, organized to define each genre and its subgenres.
Ce livre s'adresse à tous les parents, les enseignants, les bibliothécaires ou les animateurs qui veulent faire découvrir la richesse des livres aux enfants de 2 à 8 ans. Les activités permettent, à partir du livre, de jouer, dessiner, inventer, jouer la comédie ...
Ce livre s'adresse à tous les parents, les enseignants, les bibliothécaires ou les animateurs qui veulent faire découvrir la richesse des livres aux enfants de 2 à 8 ans. Les activités permettent, à partir du livre, de jouer, dessiner, inventer, jouer la comédie ...
The Edinburgh history of reading
Revitalization of native languages of Indonesia and its correlation with reading habits in Indonesia; papers of a seminar.
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible…
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible…
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible…
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible…
Wendy Griswold draws on cases from Italy, Norway and the United States to show that fans of books form their own reading class with adistinctive demographic profile separate from the general public.
Wendy Griswold draws on cases from Italy, Norway and the United States to show that fans of books form their own reading class with a distinctive demographic profile separate from the general public.
Globalization and the Internet are smothering cultural regionalism, that sense of place that flourished in simpler times. These two villains are also prime suspects in the death of reading. Or so alarming reports about our homogenous and dumbed-down culture would have it, but as…