Les rabats de jaquette indiquent : "'How Repentance Became Biblical' tells the story of repentance as a concept. Many today, in both secular and religious contexts, assume it to be a natural and inevitable component of our lives. But where did it originate? How did it become so …
by Brown, Julie
fromNew Perspectives in Music History and Criticism
Schoenberg and redemption' presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoe…
by Brown, Julie
fromNew Perspectives in Music History and Criticism
Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoen…
Presents a new way of understanding Schoenberg's step into atonality in 1908. In 1898 and especially 1908, Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations.
Zusammenfassung: Julie Brown reconsiders Schoenberg's step into atonality as a response to Wagner's charges concerning the Jewish influence on German music. Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his …
by Brown, Julie
fromNew Perspectives in Music History and Criticism
Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoen…
by Brown, Julie
fromNew Perspectives in Music History and Criticism
Julie Brown reconsiders Schoenberg's step into atonality as a response to Wagner's charges concerning the Jewish influence on German music.
Presents a new way of understanding Schoenberg's step into atonality in 1908. In 1898 and especially 1908, Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations.
Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoen…
Interpreters of Karl Barth's theology have long noted a limited role for the Holy Spirit in his work. JinHyok Kim challenges this prevailing paradigm, reconstructing Barth's pneumatology and proposing the possible contours it would have taken in the final volumes of Church Dogma…
Theologian Robert Jenson once titled an essay on Karl Barth's doctrine of the Holy Spirit, "You Wonder Where the Spirit Went," claiming that, for all the talk of the Spirit, Barth's theology was more nearly binitarian than Trinitarian. That assessment has largely carried the day…
