Emergency and the Everyday -- Processing Emergency -- Shifting Realisms: River of Grass to Old Joy -- Precarity: Wendy and Lucy -- Duration: Meek's Cutoff -- Environment: Night Moves -- Aftermath: Conclusion -- An Interview with Kelly Reichardt
Kelly Reichardt
by Fusco, Katherine, Seymour, Nicole,, chercheure)
fromContemporary film directors
Katherine Fusco and Nicole Seymour read such Reichardt films as Wendy and Lucy and Night Moves to consider the root that emergency shares with emergence--the slowly unfolding or the barely perceptible. They see Reichardt as a filmmaker preoccupied with how environmental and econ…
Over her six-film career, including works like Old Joy, Meek's Cutoff and Certain Women, the independent filmmaker Kelly Reichardt has established a highly individual perspective on questions of gender, feminism, socioeconomics and sexual orientation, set within an aesthetic fra…
Over her six-film career, including works like Old Joy, Meek's Cutoff and Certain Women, the independent filmmaker Kelly Reichardt has established a highly individual perspective on questions of gender, feminism, socioeconomics and sexual orientation, set within an aesthetic fra…
Over her six-film career, including works like Old Joy, Meek's Cutoff and Certain Women, the independent filmmaker Kelly Reichardt has established a highly individual perspective on questions of gender, feminism, socioeconomics and sexual orientation, set within an aesthetic fra…
In this close reading of her films and production methods, E. Dawn Hall defines Reichardt's auteur characteristics, arguing that she offers a contemporary and sustainable model for independent filmmakers in America.