"Written for the beginner DJ, this accessible book presents everything you need to know in order to create great dance floor moments that will take your sets to the next level and get you noticed as a DJ. Using Ableton’s industry-leading digital audio workstation, the reader wil…
Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures …
Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, music, and new media. Navas argues that Remix, as a form of discourse, affects culture in ways that go beyond the basic recombination of material. His investigation locates the roots of Remix in early forms…
This thesis examines how people compare the president to the Antichrist online, specifically during the Trump administration. Looking at digital Antichrist comparisons as distinct communicative practices, I argue that the digital affordances and logics that allow for the rapid s…
In this dissertation, I examine the way Seattle drag artists embody the practice of remix through live and digital performance, weaving together sound, visual references, history, politics, gender, body, and affect in creative ways that both entertain audiences and make critical…
Today’s digital environment features a growing circulation of repurposed archival audiovisual material. This dissertation builds on Jaimie Baron’s argument that the repurposing of audiovisual footage forms the contemporary experience of history today. I expand on her framework o…
"Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digit…
Internet memes have become ubiquitous in our everyday experiences, both online and offline, permeating a variety of fields; not only are they prevalent in our communications among friends and strangers, they are also present in our political, commercial and cultural experiences.…
This dissertation examines a wide array of performance and media practices in the Iranian diasporas. It argues that any understanding of diasporic imagination and material culture demands an in-depth engagement with cultural histories, including genealogies of media and technolo…
