"A comparative study of breath and breathing as a core poetic and compositional principle in modern literature"-- Breathing and its rhythms--liminal, syncopal, and usually inconspicuous--have become a core poetic compositional principle in modern literature. Examining moments w…
"The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented meter, privileging instead an…
"The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented meter, privileging instead an…
"The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented meter, privileging instead an…
"The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented meter, privileging instead an…
"The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented meter, privileging instead an…
"The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented meter, privileging instead an…
"Vincent Barletta traces an alternate history of rhythm theory, one linked not to repetition and temporality, as most of us understand the term, but rather to form, ethics, and the conditions of (human) being. Beginning with Archilochus, the Greek seventh-century BCE poet who wa…
"Vincent Barletta traces an alternate history of rhythm theory, one linked not to repetition and temporality, as most of us understand the term, but rather to form, ethics, and the conditions of (human) being. Beginning with Archilochus, the Greek seventh-century BCE poet who wa…
"Vincent Barletta traces an alternate history of rhythm theory, one linked not to repetition and temporality, as most of us understand the term, but rather to form, ethics, and the conditions of (human) being. Beginning with Archilochus, the Greek seventh-century BCE poet who wa…
"Vincent Barletta traces an alternate history of rhythm theory, one linked not to repetition and temporality, as most of us understand the term, but rather to form, ethics, and the conditions of (human) being. Beginning with Archilochus, the Greek seventh-century BCE poet who wa…
"Vincent Barletta traces an alternate history of rhythm theory, one linked not to repetition and temporality, as most of us understand the term, but rather to form, ethics, and the conditions of (human) being. Beginning with Archilochus, the Greek seventh-century BCE poet who wa…
"Vincent Barletta traces an alternate history of rhythm theory, one linked not to repetition and temporality, as most of us understand the term, but rather to form, ethics, and the conditions of (human) being. Beginning with Archilochus, the Greek seventh-century BCE poet who wa…
