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Contains seven essays. Three of them use only pictures. Examines the relationship between what we see and what we know.
![Notable acquisitions 1980-1981 [Metropolitan Museum of Art, 1981]](https://covers.openlibrary.org/b/isbn/0870992848-M.jpg?default=false)
![Notable acquisitions 1983-1984 [Metropolitan Museum of Art, 1984]](https://covers.openlibrary.org/b/isbn/0870993879-M.jpg?default=false)
![Notable acquisitions 1984-1985 [Metropolitan Museum of Art, 1985]](https://covers.openlibrary.org/b/isbn/0870993283-M.jpg?default=false)
![Constable's England [New York, 1983]](https://covers.openlibrary.org/b/isbn/0870993364-M.jpg?default=false)
![Orazio and Artemisia Gentileschi [Rome, 2001]](https://covers.openlibrary.org/b/isbn/0300090773-M.jpg?default=false)
Dutch and Flemish Paintings from the Hermitage
0
Type: Book
"A true historical painter ... is one who paints the life he sees about him, and so makes a record of his own epoch." This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists whose contributions are the focus of this volume: the American Impressionist…
"A true historical painter ... is one who paints the life he sees about him, and so makes a record of his own epoch." This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists whose contributions are the focus of this volume: the American Impressionist…
![Notable acquisitions 1979-1980 [Metropolitan Museum of Art, 1980]](https://covers.openlibrary.org/b/isbn/0870992538-M.jpg?default=false)
![Canaletto [New York, 1989]](https://covers.openlibrary.org/b/isbn/0810931559-M.jpg?default=false)
