"Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Ca…
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth…
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth…
Sylvia Huot points out the theatrical, performative quality of thirteenth- and fourteenth-century French illuminated manuscripts.
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth…
"Before print technology, every book was unique. Two manuscripts of the "same" text could package and transmit that text very differently, depending on the choices made by the scribes, compilers, translators, annotators, and decorators. Is it appropriate, Elizabeth Bryan asks, f…
"Before print technology, every book was unique. Two manuscripts of the "same" text could package and transmit that text very differently, depending on the choices made by the scribes, compilers, translators, annotators, and decorators. Is it appropriate, Elizabeth Bryan asks, f…
