L'immersion dans l'art
by Project Muse, Saint-Martin, Fernande
fromBook collections on Project MUSE
Les oeuvres d'art analysées sont : L'"annonciation" du Maître de Flémalle, "L'heure mauve" de O. Leduc, "Les vacances de Hegel" de Magritte, "Composition en rouge, jaune et bleu" de Mondrian, Non-Objective I de Lichtenstein, "Sans titre" de Rothko, "Triangulaires" de Molinari.
When we try to make sense of pictures, what do we gain when we use a particular method - and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery - a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century…
When we try to make sense of pictures, what do we gain when we use a particular method - and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery - a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century…
"When we try to make sense of pictures, what do we gain when we use a particular method--and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery--a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century …
"When we try to make sense of pictures, what do we gain when we use a particular method--and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery--a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century …
"When we try to make sense of pictures, what do we gain when we use a particular method--and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery--a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century …
The Oxford handbook of Roman imagery and iconography
by Cline, Lea, Elkins, Nathan T.
fromOxford Handbooks
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions …