The Arab Spring did not arise out of nowhere. It was the physical manifestation of more than a decade of new media diffusion, use, and experimentation that empowered ordinary people during their everyday lives. In this book, Billie Jeanne Brownlee offers a refreshing insight int…
"The Arab Spring did not arise out of nowhere. It was the physical manifestation of more than a decade of new media diffusion, use, and experimentation that empowered ordinary people during their everyday lives. In this book, Billie Jeanne Brownlee offers a refreshing insight in…
What role does political Islam play in the genealogy of protests as an instrument to resist neo-liberalism and authoritarian rule? How can we account for the internal conflicts among Islamist players after the 2011/2012 Arab uprisings? How can we assess the performance of Islami…
In 2012, Mona Eltahawy wrote a piece in Foreign Policy entitled 'Why Do They Hate Us'; 'They' being Muslim men, 'Us' being women. It sparked huge controversy. Headscarves and Hymens will be a polemic based on this piece and Mona's own personal story. In November 2011, Egyptian r…
La 4e de couv. indique : "The self-immolation of Mohammed Bouazizi in Tunisia in December 2010 heralded the arrival of the 'Arab Spring, ' a startling, yet not unprecedented, era of profound social and political upheaval. The meme of the Arab Spring is characterised by bottom-up…
4e de couv.: Le grand tournant conservateur des années 1980 a fait émerger deux systèmes idéologiques qui ont prospéré sur l'épuisement de la modernité et qu'on peut qualifier de fondamentalismes. D'un côté, les apôtres du marché globalisé veulent inclure dans sa sphère toutes l…
Since 2011, the art of the Arab uprisings has been the subject of much scholarly and popular attention. Yet the role of artists, writers and filmmakers themselves as social actors working under extraordinary conditions has been relatively neglected. Drawing on critical readings …
"Since 2011, the art of the Arab uprisings has been the subject of much scholarly and popular attention. Yet the role of artists, writers and filmmakers themselves as social actors working under extraordinary conditions has been relatively neglected. Drawing on critical readings…
"The book captures evidence of self-affirming political imagining in how the general public in the West and Russia understood the Arab Uprisings and makes an argument both about and beyond this particular case"--
"The book captures evidence of self-affirming political imagining in how the general public in the West and Russia understood the Arab Uprisings and makes an argument both about and beyond this particular case"--