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In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, so the author sees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective…
In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, sothe authorsees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective, …
In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, sothe authorsees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective, …
"This very stimulating and provocative book is highly recommended. All professionals concerned with human behavior will find something of value in this book, but others, especially parents of babies and young children, can gain insight into the nurturing needs of infants"--Amazo…
A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spans the fields of history of art and of medicine.
A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spansthe fields of history of art and of medicine.
Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern…
'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the moder…
'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the moder…
A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spans the fields of history of art and of medicine.