Draws on the author's first-hand experience with Franz Schubert's "Winterreise," his musical knowledge, and his training as a scholar to explore the meanings of the songs comprising this masterpiece, one of the greatest pieces of music ever written for the male solo voice
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of po…
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of po…
Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, includin…
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of po…
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of po…
The rhythms of poetry and song -- Theories of musical rhythm and meter -- Hensel : lyrical expansions, elisions, and rhythmic flow -- Schubert : repetition, motion, and reflection -- Schumann : doubling and reverberation -- Brahms : metric cycles and performative time -- Wolf : …
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of po…
Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, includin…
This study examines the transformation that took place in worldly lied culture in German around 1600. Ornate poetry in the vernacular and solo lieder emerged in the sixteenth century and were predominantly developed using Italian elements. Their reception in the middle classes l…
This study examines the transformation that took place in worldly lied culture in German around 1600. Ornate poetry in the vernacular and solo lieder emerged in the sixteenth century and were predominantly developed using Italian elements. Their reception in the middle classes l…
Johnson considers how Mahler's body of music foregrounds the idea of artifice, construction and musical convention while also presenting itself as act of authentic expression and disclosure. This study of brings together a close reading of the renowned composer's music with wide…
