"It's now that counts": the South in Hollywood's Sixties films / Oliver Gruner -- History without a capital h: violence, commodification, and the perpetuation of the postmodern condition in Django unchained / Daniel Farrell -- You're not the South: The outlaw Josey Wales, Ride w…
"In Southern History on Screen: Race and Rights, 1976--2016, editor Bryan Jack brings together essays from an international roster of scholars to provide new critical perspectives on Hollywood's relationships between historical films, Southern history, identity, and the portraya…
Introduction -- Hillbilly as American Indian -- Appalachian woman as mammy -- Mountain migrant as Mexican migrant -- Appalachia and documentary -- Appendix: Appalachian types in cinema
Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "pure white stock" and as deeply impoverished and backward. Meredith McCarroll's Unwhite analy…
"This collection of 15 essays examines the problem of Southern identity in film since the civil rights era. Fresh insights are provided on familiar topics, such as the redneck image, transitions to modernity and the prevalence of the Southern gothic. Other essays reflect the rei…
"This collection of 15 essays examines the problem of Southern identity in film since the civil rights era. Fresh insights are provided on familiar topics, such as the redneck image, transitions to modernity and the prevalence of the Southern gothic. Other essays reflect the rei…
Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino'…
Analyzing an eclectic history of film and related media, Split Screen Nation argues that popular visions of the American West and the American South must be thought in relation to one another if we are to fully understand the marks both have left on popular ways of imagining the…
American cinema and the southern imaginary