'Being Soviet' adopts a refreshing and innovative approach to the crucial years between 1939 and 1953 in the USSR. It examines how the language of Soviet identity evolved in this period, and how ordinary citizens responded to that shift.
'Being Soviet' adopts a refreshing and innovative approach to the crucial years between 1939 and 1953 in the USSR. It examines how the language of Soviet identity evolved in this period, and how ordinary citizens responded to that shift.
This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a kind of ""artful warf…
American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize…
<Span><span>This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a kind of "…
The story of a little-known group of émigrés, Americans who went to Russia during the 1930s in the hope that the Communist promise of a better life was a reality--only to find xenophobia, paranoia and ultimately, in many cases, imprisonment or death in Stalin's Terror.
"The Forsaken starts with a photograph of a baseball team. The year is 1934, the image black and white: two rows of young men, one standing, the other crouching with their arms around one another's shoulders. They are all somewhere in their late teens or twenties, at the peak of…
The story of a little-known group of émigrés, Americans who went to Russia during the 1930s in the hope that the Communist promise of a better life was a reality--only to find xenophobia, paranoia and ultimately, in many cases, imprisonment or death in Stalin's Terror.
