"Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understandin…
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"Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51-95)"--
Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film. Michal Grover-Friedlande…
"Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film."--Jacket.
"Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film."--Jacket
In praise of sound -- Under the signs of Husserl and Heidegger -- First phenomenology -- The auditory dimension -- The shapes of sound -- The auditory field -- Timeful sound -- Auditory horizons -- The polyphony of experience -- Auditory imagination -- Inner speech -- The center…
"Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound. Ranging from the experience of sound through language, music, religion, and silence, clear examples and illustrations take the reader into the important and o…
A critical response to conventional, interpretive, and critical conceptions of voice in qualitative inquiry. It focuses on the question, "What does it mean to work the limits of voice?" from theoretical, methodological, and interpretative positions.
„Und er gehorcht, indem er überschreitet": Was Rainer Maria Rilke in seinen „Orpheus"-Sonetten formuliert, lässt sich auch als Motto des Komponierens für Stimme lesen. Von Monteverdi bis heute versuchen Komponistinnen und Komponisten, den Möglichkeiten der menschlichen Stimme zu…
