[II], 244 p. Bibliografie : p. 223-235. Met reg. The contributors examine the relationship between television and women's culture. They show how and why such different media as game shows, police fiction and soap opera offer women opportunities for negotiation of their own meani…
An international team of contributors examine critically the relationship between television and women's culture in this text, which argues that such different media as soap opera and police fiction offer women opportunities for negotiation of their own meanings and appreciation.
Ambient television: visual culture and public space
Ambient television: visual culture and public space
Examines the role of television in public space at different points in the history of the medium and how that differs from the normal assumptions of domestic viewing space.
Ambient television: visual culture and public space
Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laudromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms…
"Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative …
Collection of papers by Eric Michaels written during period of work with Warlpiri on development of Aboriginal television; all papers annotated separately; foreword by Dick Hebdige discusses Michaels's style of analytical assessment; Marcia Langton describes his work at Yuendumu…
Collection of papers by Eric Michaels written during period of work with Warlpiri on development of Aboriginal television; all papers annotated separately; foreword by Dick Hebdige discusses Michaels's style of analytical assessment; Marcia Langton describes his work at Yuendumu…
"In [this book], editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the …