Temps -- Aspect social -- États-Unis

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Introduction: Tidying up after repetition / Soyica Colbert, Douglas Jones, and Shane Vogel -- So far down you can't see the light : Afrofabulation in Branden Jacob-Jenkins's An octoroon / Tavia Nyong'o -- The performance and politics of concurrent temporalities in George C. Wolf…

The contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time. Pointing out that repetition has been the primary point of reference for understanding both the complex temporality o…

"RACE AND PERFORMANCE AFTER REPETITION considers the various and complex temporalities of both performance and racial aesthetics. Editors Soyica Colbert, Douglas Jones, and Shane Vogel note that performance studies has long relied on a dominant concept of repetition. Taking insp…

"RACE AND PERFORMANCE AFTER REPETITION considers the various and complex temporalities of both performance and racial aesthetics. Editors Soyica Colbert, Douglas Jones, and Shane Vogel note that performance studies has long relied on a dominant concept of repetition. Taking insp…

When is wartime? On the surface, it is a period of time in which a society is at war. But we now live in what President Obama has called "an age without surrender ceremonies," as the Administration announced an "end to conflict in Iraq," even though conflict on the ground is ong…

"When is wartime? In common usage, it is a period of time in which a society is at war. But we now live in what President Obama has called 'an age without surrender ceremonies,' where the war on terror remains open-ended and presidents announce an end to conflict in Iraq, even a…

When is wartime? On the surface, it is a period of time in which a society is at war. But we now live in what President Obama has called "an age without surrender ceremonies," as the Administration announced an "end to conflict in Iraq," even though conflict on the ground is ong…