What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical t…
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Based on lectures given at Cambridge University, this book takes us through the elements that make up a play, including scenes, characters, plot and setting. Edgar has written plays for, among others, the National Theatre and the Royal Shakespeare Company.
The Environment on Stage: Scenery or Shapeshifter? investigates a pertinent voice of theatrical performance within the production and reception of ecotheatre. Theatre ecologies, unavoidably enmeshed in the environment, describe the system of sometimes perverse feedback loops run…