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In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, so the author sees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective…
In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, sothe authorsees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective, …
In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, sothe authorsees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective, …
In this classic work, the author presents and develops his theory of the importance of 'the Skin-ego'. Just as the skin is wrapped around the body, sothe authorsees the 'Skin-ego' as a psychical wrapping containing, defining and consolidating the subject. From this perspective, …
Written after the author stopped directing films and based around his tactile art objects, poems, experiments and games, also includes dialogues with and artworks by other Czech and Slovak surrealist artists.
Jan Svankmajer wrote this remarkable book on tactile art when he stopped directing films and experimented intensively with tactile art after repeated censorship by the communist governmnent of Czechoslovakia. Illustrated with over 100 imges, this book is organised around many re…
"Jan Švankmajer wrote this remarkable book on tactile art when he stopped directing films and experimented intensively with tactile art after trepeated censorship by the Czechoslovakia. Illustrated with over 100 images, the book is organised around many reproductions of Švankmaj…
Written after the author stopped directing films and based around his tactile art objects, poems, experiments and games, also includes dialogues with and artworks by other Czech and Slovak surrealist artists.
Written after the author stopped directing films and based around his tactile art objects, poems, experiments and games, also includes dialogues with and artworks by other Czech and Slovak surrealist artists.
Written after the author stopped directing films and based around his tactile art objects, poems, experiments and games, also includes dialogues with and artworks by other Czech and Slovak surrealist artists.
Written after the author stopped directing films and based around his tactile art objects, poems, experiments and games, also includes dialogues with and artworks by other Czech and Slovak surrealist artists.
Written after the author stopped directing films and based around his tactile art objects, poems, experiments and games, also includes dialogues with and artworks by other Czech and Slovak surrealist artists.
Problems of touch and tactility run as a continuous thread in philosophy, psychology, medical writing and representations in art, from Ancient Greece to the present day. Not merely immediate skin sensation, touching and feeling are inextricably woven into embodied experiences th…
