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The tropes, together with the sequences, represent the main creative activity of European musicians in the nineth, tenth, and eleventh centuries. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensiv…
"After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together…