Sloppy craft: postdisciplinarity and the crafts
Section One. Explorations of Postdisciplinarity through 'Sloppy Craft'. 'Male Trouble' : Sewing, Amateurism and Gender / Joseph McBrinn -- Sloppy Craft as Temporal Drag in the Work of Josh Faught / Elissa Auther and Elyse Speaks -- An Impression of Déjà vu : Craft, the Visual Ar…
Sloppy craft', interpreted as messy or unfinished in execution and/or appearance, concerns art and craft practices which question the privileging of skill. 'Sloppy craft: Post-disciplinarity and the crafts' brings together leading international artists, historians, theorists and…
Sloppy craft: postdisciplinarity and the crafts
"Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' -- craft that is messy or unfinished looking in its execution or appearance, or both. The contrib…
Sloppy craft: postdisciplinarity and the crafts
"Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' - craft that is messy or unfinished looking in its execution or appearance, or both. The contribu…
Sloppy craft: postdisciplinarity and the crafts
"Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' -- craft that is messy or unfinished looking in its execution or appearance, or both. The contrib…
Sloppy craft: postdisciplinarity and the crafts
Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' craft that is messy or unfinished looking in its execution or appearance, or both. The contributor…
'On Ugliness' is a study of the concept of ugliness through time. The text presents Eco's captivating and intelligent analysis of an idea through its manifestation in art, literature, architecture and photography.
In a companion volume to his "History of Beauty," the renowned philosopher and cultural critic analyzes our attraction to the gruesome, horrific, and repellant in visual culture and the arts, drawing on abundant examples of painting and sculpture, ranging from antiquity to the w…