This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore. Over the past several decades the countries of Southeast Asia have reverberated to the musi…
This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore. Over the past several decades the countries of Southeast Asia have reverberated to the music…
Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet…
Introduction. Commercial and Popular Music in Higher Education / Jonathan R. Kladder -- Constructivism : An Epistemology for Commercial and Popular Music in Higher Education / Jonathan R. Kladder and Jazzmone Sutton -- From Tin Pan Alley to Trending : Remixing Ragtime and South …
'Sonic Overload' presents a musically centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. The central themes are collage, popular music, …
The SAGE handbook of popular music
"Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected …
