Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. Central chapters focus on Welles' Macbeth, Othello, and Chimes at Midnight; Olivier's Henry V, Hamlet, and Richard III; Brook's King…
Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. Central chapters focus on Welles' Macbeth, Othello, and Chimes at Midnight; Olivier's Henry V, Hamlet, and Richard III; Brook's King…
Introduction -- Laurence Olivier's Hamlet: the triumph of the cinesthetic -- Franco zeffirelli's Hamlet: modernizing medievalism -- Kenneth Branagh's Hamlet: the challenges of the full-text screenplay -- Michael Almereyda's Hamlet: uncanny imagination.
"Although Dante's influence in the literary sphere is well documented, little has been written on his role in the evolution of the visual media unique to our times, namely cinema and television. Dante, Cinema, and Television corrects this oversight." "The essays in this volume, …
"Although Dante's influence in the literary sphere is well documented, little has been written on his role in the evolution of the visual media unique to our times, namely cinema and television. Dante, Cinema, and Television corrects this oversight." "The essays in this volume, …
"In Masters of Two Arts, Carlo Testa demonstrates that pairings of famous directors and writers are commonplace in modern Italian cinema. Surprisingly, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scho…
Carlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship.
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