Ancient Greek hymns traditionally include a narrative section describing episodes from the hymned deity's life. These narratives developed in parallel with epic and other narrative genres, and their study provides a different perspective on ancient Greek narrative. Within the hy…
Francese defines postmodern writing and distinguishes it from modernist prose by citing the examples of two modern and three postmodern authors: Italo Calvino, John Barth, Toni Morrison, E.L. Doctorow, and Antonio Tabucchi. While the modernist narratives of Calvino and Barth att…
Figures traced in light: on cinematic staging
A film tells its story not only through dialogue and actors' performances, but also through the director's control of movement and shot design. This is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through picto…
A film tells its story not only through dialogue and actors' performances, but also through the director's control of movement and shot design. This is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through picto…
Mark Twain and the Art of the Tall Tale explores a predominantly American comic strategy and its role in Mark Twain's fiction. Focusing on the writer's experiments with narrative structure, Wonham describes how Twain manipulated conventional approaches to reading and writing by …
"Let me tell you a story, each film seems to offer silently as its opening frames hit the screen. But sometimes the film finds a voicean off-screen narrator for all or part of the story. From Wuthering Heights and Double Indemnity to Annie Hall and Platoon, voice-over narration …
"Let me tell you a story, each film seems to offer silently as its opening frames hit the screen. But sometimes the film finds a voicean off-screen narrator for all or part of the story. From Wuthering Heights and Double Indemnity to Annie Hall and Platoon, voice-over narration …
"How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguist…