Questions of taste: classification, value, legitimation, and Distinction --Cultural institutions and taste formation: Nelson Carro and the Cineteca in 2010 -- Commonplace and routine: Amat Escalante's extreme realism in Los bastardos (2008) and Heli (2013) -- Re-versioning and t…
"Considers how and why taste persists in the analysis of Mexican film and television by looking at key figures and their impact on the curation of violence"--
"Considers how and why taste persists in the analysis of Mexican film and television by looking at key figures and their impact on the curation of violence"--
"Considers how and why taste persists in the analysis of Mexican film and television by looking at key figures and their impact on the curation of violence"--
Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like …
Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like …
Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like …
Investigates the framing of the ordinary and the everyday in extreme European art film. Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the m…
Die einzelnen Beiträge entschlüsseln die komplexen Konstellationen der unterschiedlichen Visualisierungen von Gewalt in filmischen und literarischen Narrationen. Sie heben unterdrückte oder ausgegrenzte Diskurse hervor und fragen nach der Stellung des Zuschauers.
"In 1996 Trainspotting was the biggest thing in British culture. Brilliantly and aggressively marketed, it crossed into the mainstream despite being a black comedy set against the backdrop of heroin addiction in Edinburgh. Produced by Andrew Macdonald, scripted by John Hodge and…