"In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastruc…
A study of The Metropolitan Museum's acquisition, 'The 'Kearsarge' at Boulogne', by Edouard Manet. It contains essays about the picture, five additional seascapes painted by Manet in Boulogne during the summer of 1864, and related works by other artists, photographs and newspape…
During the First World War the Australian Government established an official war art scheme, sending artists to the front lines to create a visual record of the Australian experience of the war. Around two thousand sketches and paintings were commissioned and acquired between 19…
During the First World War the Australian Government established an official war art scheme, sending artists to the front lines to create a visual record of the Australian experience of the war. Around two thousand sketches and paintings were commissioned and acquired between 19…
Visualizing war: emotions, technologies, communities
Popular imperialism and the military, 1850-1950
Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified in Kipling's 'Tommy Atkins'. T…
Popular imperialism and the military: 1850-1950
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual event…
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual event…